{"id":5531,"date":"2014-09-22T15:36:57","date_gmt":"2014-09-22T14:36:57","guid":{"rendered":"http:\/\/www.studio-irresistible.com\/creation-book\/?p=5531"},"modified":"2021-01-04T09:54:05","modified_gmt":"2021-01-04T08:54:05","slug":"catalogue-dartiste-ouanes-amor","status":"publish","type":"post","link":"https:\/\/studio-irresistible.com\/creation-book\/projets\/catalogue-dartiste-ouanes-amor\/","title":{"rendered":"Catalogue d’artiste \/ Ouan\u00e8s Amor"},"content":{"rendered":"

Un livret-catalogue r\u00e9trospectif sur l’\u0153uvre d’Amor, artiste majeur de la peinture fran\u00e7aise contemporaine.<\/p>\n

<\/p>\n

Catalogue d’Artiste<\/b>\u00a0 Amor, un coloriste d’instinct (titre de Yves Michaud) | 8\u00a0Textes<\/strong> \u00ab\u00a0Un Coloriste d\u2019Instinct\u00a0\u00bb par\u00a0Yves Michaud ; \u00ab\u00a0Donner Corps \u00e0 la Peinture\u00a0\u00bb par Alfred Pacquement ; \u00ab\u00a0La Ferveur Interieur\u00a0\u00bb par G\u00e9rard Xuriguera ; \u00ab\u00a0L\u2019art ne vieillit pas\u00a0\u00bb par Philippe Leburgue ; \u00ab\u00a0Le dialogue de l\u2019arbre\u00a0\u00bb par Jean-Pierre Jouffroy ; \u00ab\u00a0Moi et la couleur…\u00a0\u00bb par Michel Dupr\u00e9 ; \u00ab\u00a0Abstraction Radicale\u00a0\u00bb par Jacques Busse ; \u00ab\u00a0Amor Fati\u00a0\u00bb par Laurent Marissal Painterman | Photos<\/strong> \u00a0O. Amor, C. Amor\u00a0|\u00a0Art Director, Designer<\/strong>\u00a0J\u00e9r\u00f4me Liniger |\u00a0Graphistes stagiaires<\/strong> Lucas Migliore, Florian Moreau |\u00a0Studio\u00a0<\/strong>Studio\u00a0Irresistible |\u00a0Client<\/strong>\u00a0Ouan\u00e8s Amor | Imprimeur<\/strong>\u00a0Simpact, imprimerie & \u00e9dition, Tunis – Tunisie\u00a0|\u00a0Creation<\/strong>\u00a0Paris 2014<\/p>\n

 <\/p>\n\"studio-irresistible_ouans-amor_livre-05\"<\/a>\n

Le texte de Laurent\u00a0Marissal ouvre le catalogue avec ces mots :<\/strong><\/p>\n

\u00ab\u00a0Amor fati, pour pr\u00e9senter ce catalogue qui dresse un cours panorama de la peinture de Ouan\u00e8s Amor, le jeu de mots est facile. Pourtant en ces quelques mots se cristallisent le peintre et son \u0153uvre. Amor fati. Le peintre, enti\u00e8rement peintre, on ne peut le distinguer de l\u2019homme. Le peintre ignorant de toutes les passions mauvaises peint dans son jardin. Le peintre regarde avec la m\u00eame attention, le m\u00eame amour, l\u2019\u00e9paule d\u2019Ath\u00e9na comme la mauvaise herbe au pied de la statue. L\u2019\u0153uvre t\u00e9moigne de ce regard, sans jugement, enti\u00e8rement d\u00e9pris de tout ressentiment car enti\u00e8rement \u00e9pris de peinture. Il plante ses tableaux comme on plante un jardin. Ce catalogue est une invitation pour aller parcourir ce jardin, o\u00f9 respirer l\u2019atmosph\u00e8re utile, et peut-\u00eatre se laisser enivrer \u00e0 leur parfum : l\u2019amour de la vie exprim\u00e9 en peinture. Amor fati.\u00a0\u00bb<\/p>\n\"studio-irresistible_ouans-amor_livre-02\"<\/a>\n

En page 13 du catalogue le texte que le philosophe Yve Michaud \u00e9crivait en 1994 \u00e0 l’attention de l’artiste.<\/strong><\/p>\n

Extrait : \u00ab\u00a0La peinture de Ouan\u00e8s Amor est, avant tout, une peinture de coloriste. C\u2019est aussi une peinture instinctive, mais venant d\u2019un artiste \u00e0 l\u2019instinct raffin\u00e9. Il n\u2019y a pas chez lui de processus de construction a priori rigide mais une maturation du tableau au fur et \u00e0 mesure qu\u2019il se fait et que les couleurs s\u2019appellent et se commandent les unes les autres. Ces couleurs ne viennent pas au hasard de l\u2019inspiration ou dans l\u2019improvisation du geste lyrique, mais dans un m\u00e9lange de savoir et de d\u00e9lectation. […] \u00a0\u00bb<\/p>\n\"studio-irresistible_ouans-amor_livre-03\"\"studio-irresistible_ouans-amor_livre-04\"<\/a>\n

En page 39 du catalogue, le texte que Laurent Marissal \u00ab\u00a0Painterman\u00a0\u00bb, \u00e9l\u00e8ve de l’artiste \u00e0 l’Ecole Nationale Sup\u00e9rieure des Beaux-Arts de Paris, a \u00e9crit \u00e0 l’occasion de l’\u00e9dition du catalogue.<\/strong><\/p>\n

Extrait : \u00a0\u00bb\u00a0[…]\u00a0De Cimabue \u00e0 Amor, c\u2019est une lign\u00e9e de peintres qui d\u2019apprenti est devenu ma\u00eetre, soit peintre et enseignant. \u00a0Le d\u00e9part, oubli\u00e9, de cette course de relais reste sans arriv\u00e9e, sans vainqueur, car elle n\u2019a d\u2019autre troph\u00e9e que son flux m\u00eame. Cette lign\u00e9e, il faut la lire avec toute la distance requise pour entendre r\u00e9sonner le rire de ces ma\u00eetres. Ouan\u00e8s Amor, s\u2019inscrit dans cette histoire. Il fut chef d\u2019atelier \u00e0 l\u2019\u00c9cole Nationale Sup\u00e9rieure des Beaux-Arts de Paris de 1978 \u00e0 2003. Il sut former en m\u00eame temps un peintre expressionniste comme Ronan Barrot ou un peintre conceptuel comme Bruno Eble. \u00abMa\u00eetres\u00bb, depuis 68, ce titre n\u2019est prononc\u00e9 par les-esclaves-qui-s\u2019ignorent que par euph\u00e9misme. Quant \u00e0 nous, nous ne confondrons la figure du ma\u00eetre ni avec celle du p\u00e8re, figure incommensurable, ni avec celle du patron, figure d\u2019ali\u00e9nation. Aux Beaux-Arts, le ma\u00eetre et l\u2019\u00e9l\u00e8ve se choisissent, selon l\u2019heure et l\u2019humeur. Il s\u2019agit d\u2019abord de se reconna\u00eetre. \u00a0Aux Beaux-Arts, les meilleurs des ma\u00eetres ne forment ni des disciples ni des valets, mais de nouveaux ma\u00eetres. De cette lign\u00e9e la tradition reste la rupture avec la tradition. De cette lign\u00e9e, la tradition est l\u2019affirmation du pouvoir du peintre par la peinture devenu autonome. Qu\u2019en est-il alors de l\u2019enseignement d\u2019Amor ? Qu\u2019est-ce qui de cette lign\u00e9e se transmet ? Une certaine mani\u00e8re de penser le monde en peinture, d\u2019\u00eatre au monde en peintre. Il faudrait plus que ces quelques lignes pour transmettre cette forme de vie. Quelques souvenirs tenteront cependant d\u2019ouvrir les pistes, qu\u2019il nous faudra prendre le temps, ailleurs, de suivre. Quelques souvenirs car l\u2019une des modalit\u00e9s privil\u00e9gi\u00e9es par Amor, \u00e9tait l\u2019anecdote signifiante \u2013 l\u2019histoire de l\u2019art par ceux qui la vivent. […] \u00ab\u00a0<\/p>\n","protected":false},"excerpt":{"rendered":"

Un livret-catalogue r\u00e9trospectif sur l’\u0153uvre d’Amor, artiste majeur de la peinture fran\u00e7aise contemporaine.<\/p>\n","protected":false},"author":1,"featured_media":5529,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_uag_custom_page_level_css":"","footnotes":""},"categories":[16,6,2],"tags":[],"class_list":["post-5531","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-projets","category-outils-imprimes","category-01-design-graphique"],"acf":[],"yoast_head":"\nCatalogue d'artiste \/ Ouan\u00e8s Amor - studio-irresistible - le book<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/studio-irresistible.com\/creation-book\/projets\/catalogue-dartiste-ouanes-amor\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Catalogue d'artiste \/ Ouan\u00e8s Amor - 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